Mao Zedong’s poems in the poems of Fenghua Xueyue can be described as meteorism, the gas!
Natural image and great people’s mind echo ■ Wang Zhengyan wind, flowers, snow, month is the natural image of the ancient poetry.
In the forefront of the ancients, flowers, wind and snow, and tomorrow often expressed the artistic conception and complex.
The wind and snow moon in Mao Zedong poetry, highlights the heroic atmosphere, high-spirited words and artistic conception, and the feelings of the world are the feelings and responsibility. He wrote a writing of Fenghua Xue Moon, and the gas is very much. In the era of revolutionary war, when the wind of the revolutionary movement, Mao Zedong was unstoppable by "just like a typhoon sweeping". When he was determined by the performance of the battle, he used "wind rolling and half" In the face of the enemy of the coming; when describing the face of the red according to the land, Mao Zedong describes the revolutionary atmosphere of Northern Shaanxi, Northern Shaanxi, where the party, the "Wall Red Flag Falling, Western Solites"; in the description of 1930 When the army implemented strategic metastasis and the Red Army main meeting, Mao Zedong used the poetic expression of "Feng Exhibition Hongqi’s pictures". After seeing the People’s Liberation Army occupied Nanjing, he wrote "the clock" The verses of the mountain wind and rain, a million matrix, the rivers, describe our army to ruin the heroes of the mountains.
In the year of the peaceful construction, Mao Zedong was sincere and sincere to the tremendous changes in the founding of New China and the booming of the world’s independent liberation movements. At this time, the wind under his pen is a full of "Spring Breeze"; "Bewlock" but "changed the world" sky-stricken; it is "regardless of the wind blowing, winning a leisure"; it is the world revolutionary storm "Wuzhou shocking wind thunder excision", this is changing. "Typhoon" "wind" "wind and rain" "wind and rain", etc.
Mao Zedong’s flowers, the same thing else, the meaning of the meaning.
He not only writes the flowers of the gesture, which is more depicting the "flowers" of natural Chinese and lamons.
The plum blossom was enthusiastic about the poet "Pretty and not struggled to spring, only the spring is reported", and the residence is selfless dedication and does not ask for a noble product.
In the "Seven Laws, Winter Clouds" written in the winter day of 1962, Mao Zedong praised the revolutionary spirit of the evil forces.
Chrysanthemum proud frost bucket, high quality.
Mao Zedong is in the word "not seemingly spring" in the autumn of "not seemingly spring", "winning the spring" is praised, and it is a positive character, and the road is given. The artistic conception of the Spring Festival of the Spring Festival, expressed the revolutionary attitude and spirit of the revolutionary and optimistic attitude and spirit.
Snowflake crystal clear, because its shape is hexagon, is called "six outflowers".
Mao Zedong wrote in the "Qi Shuo Tao" in 1957, "Military Pot Tao, Flying to Diaoyu Tao", depicting the pentium and magnificent of Qiantang River, with snow, showing the magical and charm of nature. . With the strong feelings, there is a major feature of Mao Zedong ‘s poetry.
Many of his poems are ruthless.
"Northland scenery, thousands of miles of ice, thousands of miles", is the love feelings of love the motherland’s good rivers and mountains; "The wind and rain send spring, and the snow is spring.
It is already a cliff. It is still a pretty character of Mao Zedong to make the character of Maohua to welcome the cold. The Chinese Communist Party and the Chinese people have no fearfulness. "All the sky is white, the snow in the snow is even more might" is Mao Zedong 1930. In February, the Red Fourth Army was written by Military Guangchang, and the Red Army officers and soldiers were blocked, and they were full of enthusiasm.
"Flying from the Yulong 3 million, stirring Zhou Tian Han" is a verse of Mao Zedong written in "Nian Nujiao Kunlun" written in October 1935. Although there is no "snow" word in the poem, "Flying" and "Mr." have brought readers into the snow, the snow scenes of the sky, which also make people feel that the poet is good at observing the heavens and earth.热 情.
The moon is a natural image that is often used in the vast Chinese classical literary works.
Mao Zedong’s poems also have many descriptions about the month. For example, "Western Shui, Chang Yantan" in the "Western Shui, Chang Yansuan" is the environment description of the Red Army when the Red Army is fiercely of the Yansishan, and thus this round of frosty morning is very cold and there are several Painting. "I lost my arrogance, Yang Jun lost the willow, and Yang Liu is straight to the heavy bleak nine" is the beginning of Mao Zedong in the "Butterfly Love Flower · Answer Li Shuyi".
In the imagination of the author, Yang Kaihui and Liu Zhiyu have long been placed in the holy moon palace, and there is "10,000 miles long and the loyal dance", the long-sleeved dance. The poems expressed the mood of Mao Zedong to two intense thoughts. The poems sent in the beautiful myth, and the moon at this time appeared romantic and holy. "This is a long-awaited moon, and Xiqing is a long-term moon, and it is a few words in Mao Zedong’s" He Xinlang · Experience "in 1923. Although the poems, the poems, the "half-day moon" dawn, but 上海花千坊1314 the two revolutionary comrades did not fall into the hate, but to "heavy harms wings, and clouds" like-minded, handed over to the revolutionary cause, let The reader really felt the feelings of the poet a hot family.
"Unique pride, sky-hinge" is two sentences in "Nian Nujiao · Jinggangshan" written in May 1965.
Mao Zedong remembered that although Jinggangshan’s 上海品茶网论坛 struggle was extremely hard, his revolutionary pride is like a bright moon hanging in the sky, that is. In short, Mao Zedong’s penalty is not a natural image in the general sense, but a great man breaks the old world, building a new China, and the spiritual rehearsal of the macro level of all mankind.
Read such poetry, we can not only appreciate the cultural artistic love of them, but also from the spiritual power of all difficulties in the road.